Sunday, December 5, 2010

Frank Owen Gehry


Canadian-American Pritker Prize-winning architect, Frank Owen Gehry was born February 28, 1929 in Toranto, Ontario. His works is considered one of the most important works of contemporary architecture in the 2010 World Architecture Survey. He was labeled “The most important architect of our age” by Vanity Fair. His best known words include MIT Stata Center in Cambridge, Massachusetts; Experience Music Project in Seattle; Guggenheim Museum in Bilbao, Spain; Weisman Art Museum in Minneapolis; Ontario Art Gallery in Toronto; Walt Disney Concert Hall in downtown Los Angeles; MARTa Museum in Germany and Dancing House in Prague. But his work started out using paper known as paper architecture before he began building the buildings. He used to build cities out of scraps of wood with his grandmother, adding in chain link fencing and other material whenever he visited the hardware store. 
 
He studies at Los Angeles City College and graduated from the University of Southern California’s School of Architecture.  His style is said to be Deconstructivism or DeCon architecture because it departs from modernism in its societal and functional necessity. He has be called “the apostle of chain-link fencing and corrugated metal siding” His work can come under some criticism because it wastes structural resources by creating functionless forms, the buildings often overwhelm its intended use and the buildings are designed without accounting for the climate. The building also does not seem to belong to their surroundings. In spite of the criticism his work has come through, his work stands through as an innovation to think outside the box instead of following the predefined form.

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Saul Bass


American graphic designer and Academy Award-winning filmmaker, Saul Bass, is best known for his design on animated motion picture title sequences. He was born on May 8, 1930 in New York City and died on April 25, 1996. He studied at the Art Students League in Manthattan and then began taking classes at Brooklyn College.He worked for some of the greatest filmmakers, including Otto Preminger, Martin Scorsese, Stanley Kubrick and Alfred Hitchcock. He designed the logo of AT&T Bell System logo, AT&T's globe logo and Continental Airlines 1968 jetstream logo. One of his famous title sequences are that for Preminger’s The Man with the Golden Arm. His goal was to enhance the audience experience by contributing the mood and theme of the movie within the opening moments. Instead of just a plain opening displaying only the credits, he tried to convey the mood of the movie in the opening to draw interest into the film.
He employed kinetic typography, an innovation that made Bass revered as a graphic designer. He later began to move away from the optical technique into a more computerized title. For 40 years he developed title sequences. He designed the Student Academy Award for the Academy of Picture Arts and Sciences. He made storyboards for Hitchcock’s Psycho production, receiving credit as Pictorial Consultant and Title Designer. He directed The Searching Eye, a short film from 1964, directed a montage sequence in the 1966 Grand Prix film and made Why Man Creates, a short documentary that won an Academy Award in 1968. Over the years he created his work, his works inspired many.

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Frank Shepard Fairey


Frank Shepard Fairey who was born on February 15, 1970 is an American contemporary artist, illustrator and graphic designer.  He was born and raised in Charlestone, South Carolina and became involved in art 1984 by drawing on skateboards and T-shirts.  He graduated from Rhode Island School of Design with a Bachelor of Fine Arts in Illustration. His “AndrĂ© the Giant Has a Posse” (…OBEY…) was how he became known. He became more widely known for his Barack Obama “HOPE” poster in 2008. He has been arrested several times for “tagging”. Although he continues “tagging”, his work now shifts towards a political side. Alongside his book, his first art museum exhibition was in Boston at the Institute of Contemporary Art in the summer of 2009. He created t-shirts and sticker silkscreens when he founded a small printing business in Providence, Rhode Island after graduation. His business was called Alternate Graphics. His work was documented by American filmmaker Helen Sickler, premiering in the 1995 New York Underground Film Festival, the 1997 Sundance Film Festival and seen internationally in more that 70 festivals and museums. Along side Dave Kinsey and Phillip DeWolff, Fairey was a founding partner of the design studion BLK/MRK Inc. from 1997-2003. He developed a series of “anti-war, anti-Bush” posters alongside Robbie Conal and Mear One. He continued to collaborate with others and producing t-shirts, stickers, prints, CDs, posters, cover art and graphics. In June 2007, he opened his show, “E Pluribus Venom, at Jonathan LeVine Gallery. It was featured in the New York Times. Fairey’s work has become an influential part of our lives.

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Wednesday, October 27, 2010

Helvetica


Developed in 1957 by Swiss typeface designer Max Miedinger with Eduard Hoffmann, Helvetica is a widely used sans-serif typeface. Originally called Neue Haas Grotesk, it was designed to be a neutral typeface which could be widely used, had great clarity and no intrinsic meaning. The name of the typeface was changed to Helvetica in 1960 by Haas' German parent company Stempel. Its original name would have been Helvetia, the original Latin name for Switzerland. It was decided that it would not be appropriate to name a type face after a country. The final name, Helvetica means Swiss, instead of Switzerland. There have been a few modifications to the Helvetica typeface since it was created. These included Helvetica Lite, Helvetica Compressed, a narrower and tighter version of Helvetica, Helvetica Textbook, Helvetica Inserat, a squarer version of the text, Helvetica Rounded, with rounded stroke terminators, Helvetica Narrow, with more optically consistent width, Neue Helvetica, with more structurally unified height and width, Neue Helvetica W1G, and Helvetica World. Helvetica is widely used today. It is set as the default typeface on many computers. It appears on billboards, posters, magazines, signs and just about any other text. It has become so common that it can just blend in without being noticed for its style. Because the letters are so neutral, they can appear anywhere and be able to fit in. Every letter bears the same weight as the next. There is no style of the letters so it is the word itself that bears a meaning, not the style of the letters. 

http://www.kcatodesign.com/images/helvetica-poster.jpg
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Rococo Lolita


Rococo, a style developed by baroque artists during the 18th century. The style was elegant and ornate. A style of clothing, called Lolita arose from this period. It has developed into a subculture in Japan. Knee length dresses or skirts, knee high socks or stockings, blouse, petticoat, headdress and high heel or platform shoes are a common look for the Lolita style. The look is aimed at being cute, like a porcelain doll, not sexy. There are many styles of Lolita, including Gothic Lolita, Sweet Lolita, Classic Lolita, Punk Lolita and other ones as well. Gothic Lolita or GothLoli is a combination of Gothic and Lolita fashion. Dark clothing, and makeup, black eyeliner and red lipstick are common signs of Gothic Lolita. Sweet Lolita or Ama-loli is the style most influenced by the Rococo style. Pink, peach, pearl, and red are common colors used in Sweet Lolita. Bows, candy cane striping, purses and stuffed animals are often seen in this style. Classic Lolia focuses on Baroque, Rococo and Regency styles. It lies in between the Gothic and the Sweet Lolita. It is not as dark or as sweet as the other two. The colors are more muted and the make up puts an emphasis on more natural shading. Punk Lolita adds elements of Punk fashion. Tattered fabric, chains, plaids, short, androgynous hairstyles, ties and safety pins are common in the Punk Lolita look. Whatever the style, Lolita has become very popular. It has even become available in departments stores in Japan.

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Advertising


Advertisement is all around us. It is on signs, buses, and even in the media. Advertising is trying to get you to act a certain way, buy certain things or think in a certain manner. It serves as guidance for people. Teens in particular are prone to following advertising. With spare time, money and a drive to be cool, teens look for ways to follow the trend of what is cool. They buy clothes that are in fashion, buy cars that they think are cool and do anything they can to be cool. Often this leads to stereotyping. The teen become as they are portrayed in the media. The teens view the media as cool and strive to become like they are portrayed. It becomes a cycle as teens look to media for guidance and the media looks back on the teens to figure out what will sell. What is often portrayed in the media is not what it should be. It is what will sell the best. In the media, sex sells. Sex becomes a cool factor. With sex being cool, teens will strive to become cool by having it. It is an unhealthy relationship. As teens become more like they are portrayed in the media, they set themselves up for problems. Females become viewed as sexual objects, as they are often portrayed in media. With the media being so prevalent, it is inevitable that teens will absorb a great deal of the information that they are seeing and strive to become what the media classifies as cool.

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Modern vs. Functunal

Sometimes there is a difference between what is modern and what is functional. These two things do not always go hand and hand. When items are massed produced, the items sometimes suffer a lack of modern touch. Mass production focuses on what is functional rather than what is modern. This is usually because mass production tends to try to maximize their efficiency by using the minimal amount of materials as possible to get the desired results. By doing so, you maximize the number of items produces and minimize the cost of production. But this results in massed produced items that can be used in generic places. Mass production does not have room for customization. Every item is the same as the next. However, because of this, the items can be used in many places, such as schools or cafeterias because they are so generic. More modern items take more time to make and each item may be different from the next and might not fit into everyday places.For instance, a chair made out of metal cans, formed into the shape of a seashell probably would not be practical for use in a school class room. Although modern items may cost more and take more time to produce, the works can be very beautiful. In the right place, modern items can brighten up a room and add a uniqueness that mass produced items fail to capture. There are advantages and disadvantages to both modernism and functionalism. Which one is preferred depends on the use of the item and the location for it.

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